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Writing Whenever You’re Ready

When I listen to songs on the radio, I listen for message and tone.

The ‘love’ songs I often hear often are trying to present some urgent need for accepting love as an immediate adventure, something that could pass at any moment. There are few songs that consider patience a virtue. So I decided that I needed to write a different sort of love song, one that would be accepting of the time and space of the other, and yet would indicate the desire and caring of the lover’s voice in the lyrics.

That’s where ‘Whenever You’re Ready’ comes from. (The ‘meet the dawn’ line is meant figuratively; to help the other get through a ‘dark’ time).

WHENEVER YOU’RE READY
Lyrics and Music by Art Koop (last revised May 7, 2018)

You’re feeling the weight
of a wildly spinning globe
upon your shoulders…

and right now you see
love as another complication

But look at me-
I’m not asking you
to help me carry on…
If you let me in,
I’ll understand
and help you meet the dawn

Whenever you’re ready
to be loved…

Whenever you
Are ready to
Be loved…

Whenever you’re ready
To be
loved…

I’m ready to love you. (2x)

The burden you carry
you need not carry all alone. (2x)…

Whenever you’re ready
To be
loved

I’m ready to love you. (2x)

So I say again
lie down, let me
massage your tired limbs –
and if you sleep,
some hope and faith can
shine into your dreams (2x)

Whenever you’re ready
to be loved…

Whenever you
Are ready to
Be loved

Whenever you’re ready
To be
loved

I’m ready to love you. (4x)
I’m ready to love ——
you.

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Avoiding the Letter S (and others) in Lyrics

Writing lyrics for songs is different than writing poetry, or writing a speech. One way is in the choice of words, and letters, to include, and leave out – and why – depending on who is singing and the style of the song.

One of my goals when I write songs for myself is to let my voice shine through, because my low voice is unique and in that way distinctive. One way in which I do that, is avoiding ‘non-voiced’ consonants as much as possible, especially the ‘s’. I would rather have the listener ‘fill in’ the letter s where it belongs psychologically, than write it in. That’s because the ‘s’ is not a voiced letter (f, t and p also fit in that camp), and so it tends to disrupt the flow of sound in singing. Sure, it’s a subtle point… but subtle points count, especially if often repeated.

So it’s true that I don’t sing my lyrics in the same way that I would speak my sentences, but that’s okay with me. Word (and letter) choice depends on a set of priorities, and balancing those priorities matters if I’m going to put out unique music for others to hear. If I were just to put out what people could find anywhere else, in a way that would not be respecting the listener, because I would not be giving people something new to hear. It also would not be respecting any message I would wish to put out, because if something is worth saying then it is worth saying in a fresh way, so that people may have fresh ears for it too.

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The Writing of Get Back Up (Resilience)

I wrote the song ‘Get Back Up (Resilience)’ partly in response to a friend going through a difficult life transition which was not under her control. I wanted to write a song which could be encouraging. One thing I have in common with this friend, is that we are both parents. I’m not sure the song provided the necessary encouragement, actually – her situation is way beyond anything I have ever experienced, and I really hope it doesn’t come across as a ‘pull up your socks’ message, because it isn’t intended that way at all.

Kids are incredibly resilient. Aided by a very short memory, little children try to walk, and they may wham into some furniture and bruise themselves something awful, but before you know it they are up and trying again. Their determination to walk seems to be far beyond their experience of the pain of trying. So, watching little kids trying to learn is inspiring to me, because they don’t know quit. My hope is that others are also inspired.

The lyrics go…

When you see a little baby learning how to walk
at first she fall a hundred time a day.
She will not say maybe this wasn’t meant for me –
she get back up until she learn the way.

She got dirt on her hands, bruises on her face,
but she know deep down that she has got the power.
She don’t know quit, she stay with it
until she find her pace,
and then she go at 50 miles an hour.

She get back up. Don’t you see she’ll never stay down –
she get back up every time she fall.
She may be half the size of anyone else around,
but she get back up and she show ’em all.

Been quite a while now since I was a baby,
but I still stumble, sometime I still fall.
I don’t always know how (I’m) gonna make it through the day,
and I just lean my head against the wall.

I got dirt on my hands, bruises on my face,
but I know deep down that I have got the power.
If someone offers help, okay, but I am gonna find a way,
and then I’ll go at 50 miles an hour.

I’ll get back up. Don’t you see I’ll never stay down?
I’ll get back up every time I fall.
I may not reach the mind of everyone else around,
but I’ll get back up and I’ll show ’em all.

We’ll get back up. Don’t you see we’ll never stay down?
We get back up every time we fall.
We may not reach the mind of everyone else around,
but we’ll get back up and we’ll show ’em,
we’ll get back up and we’ll show ’em,
we’ll get back up and we’ll show ’em all.

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Seeing Value

In the past year, I met a goal I had set about something trivial. I have a point to this story… you’ll have to be a bit patient, though, to get to it.

I wanted to be the top-ranked Facebook Scrabble player in my peer group, in all 3 categories of highest ranking, highest word score, and highest number of 7+ letter words, all at one time. I did it by taking an approach to the game that most people have never tried, as far as I can tell.

The key to doing well at Scrabble when you break it down, I figured, is to get more point value out of your letters than your opponents do.

If you were to take a superficial look at the value of Scrabble letters, you would probably say that the 5 most valuable letters are the Q and the Z (worth 10 points), the X and the J (worth 8 points), and the K (worth 5 points).

The way I play the game, the most valuable letters are S, R, E, I, and D, in roughly that order. Why? Well, I figure that since players get 50 bonus points for using all 7 of their tiles at once, the best way to get the most out of your letters would be to get the most 7 letter words. And, the way to do that would be to use word-extenders (plurals, suffixes, prefixes). And so, the letters that show up most often in plurals, suffixes, and prefixes would be letters to hold onto, in order to get the most out of them. S is the letter most used for plurals. -er and -ed, -ier and -ied are common suffixes. re- and de- and dis- are common prefixes. There are other letter combinations I consider after that, but you get the idea. In addition, if you add an s or an e or an r onto many existing words, you get a new word or version of the existing word, providing a connection point for your word placement.

So when I play, it’s more about the letters that I don’t use in a turn than the letters I put down. I will often sacrifice the opportunity to score more points on one turn, taking the chance that by holding onto my more ‘valuable’ letters I can score a ‘bingo’ bonus for using all 7 of my tiles in a turn to come, depending partly on luck to do so.

I reasoned that, while many other players may have a larger vocabulary than I do, and while some players (not likely in my peer group, but among ‘random’ opponents that may be chosen for me) may be tempted to purchase the ‘Teacher’ app on Facebook Scrabble (which shows you the highest possible scoring word from the previous turn), if I was willing to play in an unorthodox way I could potentially win games by giving myself more opportunities to score large numbers of points.

And, long story short, it worked. I had a theory, based on reasoning; I applied my theory; I met my goal. The reason it worked was that I was able to see value where others did not, and was willing to take chances that others were not willing to take.

There are applications here. Sometimes we may be tempted to take the easily measured values of our society – amount of money, titles and status, letters behind names – as gospel for how we ought to measure the value of people. But all people have contributions to make in our lives and in society, and maybe what really needs to happen is that we need to take a different point of view in order to see the value that is being overlooked. Maybe if we can work as a community, we can all extend our abilities in order to add up to more than any of us as individuals can achieve alone.

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Living With A Non-Linear Mind; Making Yourself Useful (Final Segment)

You are walking down a pathway on a sunny day. Suddenly, someone bursts out of some bushes beside you, bumps into you, stops long enough to say “I saw a bird over there”, and continues walking.

That is how linear thinkers often experience non-linear thinkers. This is not to say that non-linear thinkers have to completely conform to the world around them… but a certain amount of compromise will be required in order to foster the sense of community, acceptance, trust, and teamwork to make it possible for anyone to even be willing to listen to the kind of unusual ideas that tend to emerge from non-linear minds. We have to make ourselves useful – to establish that we can and do contribute to our societies, and do not merely disrupt and disturb the calm progress of our friends and neighbours.

Part of communicating effectively means organizing your thoughts in presentation to others, whatever form that presentation may take, so that they can follow along with what you are trying to express and see the purpose in it. The fact that thoughts do not come to a non-linear thinker in a ‘pre-organized’ fashion does not in any way create license for those thoughts to be presented as they come, vomited out in a massive unsorted stream. Other people should not be required to do the work of sorting through a non-linear thinker’s ideas and figuring out what to do with them, and they won’t.

It took me until I was in university to learn that I could write an organized essay – just not by following an outline. I would read a lot, take many notes, write down many ideas, being careful to take note of all the necessary information about my sources so that I could quickly reference them later on. I would frequently refer back to the main topic, to make sure that I wasn’t getting too far off track and working super hard on something I hadn’t actually been asked to do. Then, having gathered a critical mass of material, I would lay it all out on an enormous table, and cut it into pieces. I would lay out the pieces in the way that they made the most sense, numbering them.

Frequently, I would find that some transition was required. I would ask W5 and How about each sentence, to see if terms needed to be defined or if I had skipped explanations that reflected a logical sequence of thought, and write the transitional paragraphs necessary to fill the gaps. I would number the new paragraphs, with letters, to fill in spaces (for instance, if the paragraphs fit between piece 6 and piece 7, I would number the paragraphs 6a, 6b, etc.). Then I would tape pieces back together in order, and type out the essay. That was how I got my best marks.

Now, with the proliferation of computers, it is technically possible to eliminate the scissors and tape. However, a single screen might be insufficient to look over all of the necessary information and bear it in mind simultaneously, so it may still be worth doing such a task in the ‘old-fashioned’ way.

My point is that, even if a thinking process is non-linear, the final product of any kind of project or presentation will need to make sense to people and will need to be properly thought through. Only organized work is likely to receive the acceptance and approval of a majority of stakeholders, and may be the only way that all those great ideas ever see the light of day. It will take work, but as I used to say to my high school students, “The question is not “Is it difficult”, but “Is it worth it?” – and I believe it is.

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Living With A Non-Linear Mind, Part 3; Getting Going

There are 2 possible outcomes when I am given a task to do.

The first and preferred outcome is that it sparks a ton of ideas, and I immediately get going on producing a lot of creative material quickly, and then get it organized (next week’s topic).

The second outcome is the deer-in-the-headlights look; not even knowing where to begin.

Simply put, the world does not wait for a non-linear thinker to acquire inspiration. People need other people to do some work in a timely manner, or else there are competitors who can get the work done. And usually, although brilliantly creative work may be preferred, any kind of output is preferable to the sound of crickets in the moonlight when something really needs to get done.

This is why a non-linear thinker needs to come up with a creative process. I have some examples that work for me.

First, writing about a given topic –

It never hurts to get together some information; figure out some possible keywords regarding the topic, and do some research.

The research itself should at least spark some questions. Even if you find what you read or hear about a given topic entirely unconvincing, you should be ready to question it. Questions have an almost magical quality to them for our brains; they somehow drive us to seek answers. But if answers aren’t what you are finding, then generate more questions. And luckily, the basic possible questions are already developed; W5 (who, what, where, when, and why) and How? Then build more questions out of those questions, and eventually your mind will begin to work.

Combine a questioning approach with a sensory approach; how would a person experience the topic you need to address? Smell, sight, touch, taste, and sound; fragrances, colours and shapes, textures and hardness, bitter/salty/sweet/spicy, loud/soft/buzzy/ringing… you get the idea.

When working with music, my composition professor (himself a composer) Allan Bell suggested generating a number of musical lines, and then inverting/expanding/diminishing/elaborating/reversing/mirroring etc. those lines until you came up with something that really appealed to your ear.

The bottom line is, if you have a process to engage in, you have a way to approach a task. If I was tasked to do creative writing – wide open topic – on a particular day, I would look around me, I would think about what I had experienced in the past day or week – anything to get some information to work with. Because if you can get started, you can get something done… and the earlier you get started, the more likely that you will give your mind the processing time required to really work with the information that you gather, and the better your chances of really doing something spectacular and utterly unique.

If you start with developing your own process – even, or perhaps especially, when there is no urgent need for it, you can set the parameters to accomplish something unique because you will be starting with a unique process right from the get-go. Whatever it is that you need to do, a process that you have developed for your own reasons and which takes into account your own experience and capabilities will at the very least give you a sense of possibility and hope, a feeling of competence and confidence to take on the task set before you. You can do it! You just need a way to get started, and to gather some kind of input that will guide you and keep you learning and fresh.

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